Age, Biography and Wiki
Alfredo Da Silva was born on 20 February, 1935 in New York City, is a Bolivian-American artist (1935–2020). Discover Alfredo Da Silva's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 85 years old?
Popular As |
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Occupation |
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Age |
85 years old |
Zodiac Sign |
Pisces |
Born |
20 February, 1935 |
Birthday |
20 February |
Birthplace |
New York City |
Date of death |
2020 |
Died Place |
Alexandria, Virginia |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 20 February.
He is a member of famous Artist with the age 85 years old group.
Alfredo Da Silva Height, Weight & Measurements
At 85 years old, Alfredo Da Silva height not available right now. We will update Alfredo Da Silva's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
Who Is Alfredo Da Silva's Wife?
His wife is Joan Da Silva (m. 1965-1987)
Family |
Parents |
Not Available |
Wife |
Joan Da Silva (m. 1965-1987) |
Sibling |
Not Available |
Children |
Not Available |
Alfredo Da Silva Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Alfredo Da Silva worth at the age of 85 years old? Alfredo Da Silva’s income source is mostly from being a successful Artist. He is from United States. We have estimated Alfredo Da Silva's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Artist |
Alfredo Da Silva Social Network
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Timeline
Alfredo Da Silva (February 20, 1935 – January 26, 2020) was a painter, graphic artist, and photographer, known for his abstract expressionism.
Alfredo Da Silva was born February 20, 1935, during the end of an inconclusive Chaco War between Bolivia and Paraguay.
In 1938 a peace treaty was signed in Buenos Aires between Paraguay and Bolivia.
After Chaco War, Bolivia was struggling to find some form of Democracy for the indigenous Indians that made up a large demographic.
Many political parties tried to take power.
Alfredo Da Silva had his first show in 1951 at age 16.
Pencil was the only utensil he could afford until he went to school in 1951.
In 1951 he enrolled into the Potosí Academy of Fine Arts, Arts university Tomas Frias.
Where he studied drawing, painting, sculpture, and graphic arts.
Violent coups and counter-revolutions followed, but in 1952 Victor Paz Estenssoro left-wing Movimiento Nacionalista Revolucionario the MNR succeeds in seizing power.
The generation of 52 is marked by the Bolivian National Revolution which occurred on April 9, 1952.
The generation of 52 had two main artistic trends, the "social painters" and the "abstract painters".
Alfredo was part of the movement of abstract painters that did not accept social realism as the only mode for artistic expression.
According to Babs Myer from the "Times of Brazil" "Accepting "abstract expressionism" as the label most nearly describing his art, da Silva works from a base of "intuition creation," expressing a world of intuition with rational shapes. He fuses the ancient past with the far distant future and creates a sense of time itself moving to the future or to the past, but always of one continuous whole. The circle, is always evident, and one may recognize ancient Indian building stones, fossilized bones, or structures for man's use in some misty future in space".
He studied at the Potosí Academy of Fine Arts University Tomas Frias and the Prilidiano Pueyredon Academy of Fine Arts in Buenos Aires where, in 1958, he obtained his degree as teacher of drawing and painting.
Then in 1958 he went to the Prilidiano Pueyredon Academy of Fine art in Buenos Aires where, in December of that same year, he obtained his degree as teacher of drawing and painting.
He came to international prominence in 1959 and remained so until his death in 2020.
"Alfredo Da Silva was almost unknown in his own country until he went abroad and won the highest award for a foreign artist at the 1959 National Salon in Buenos Aires".
In 1959, he won first prize in a competition for foreign artists at the Salon National of Painting in Buenos Aires.
In 1959 he won the highest award for a foreign artist at the National Salon in Buenos Aires.
"Just two years later he was awarded a Pan American Fellowship in Washington, D.C., where he was given a one-man show and then invited to represent the Pan American Union at the Biennale of San Paulo".
In 1960 he was discovered by José Gómez-Sicre who at the time was chief of the Division of Visual Arts for the Pan American Union now called the Organization of American States or OAS for short.
"During the 1960s, he continued to amass honors, including his Guggenheim Fellowship and a Pratt Graphic Center Grant, as his artwork attracted ever increasing attention and plaudits. Since then, he has participated in dozens of group exhibitions at such prominent venues as the Museum of Fine Arts, Mexico; the Contemporary Art Museum of Dallas, Texas; the Museum of Fine Arts in Helsinki, Finland; the gallery of the Central University of Caracas, Venezuela; the Institute of Contemporary Art in London; the Museum of Aberdeen, Scotland; and the Cultural Center of Villa Madrid, Spain. His work has also been exhibited in numerous one-man shows throughout North and South America and Europe and is in the permanent collections of the Coin Museum of Potosi, Bolivia; the National Museum of La Paz; the Metropolitan Museum of New York; and the Museum of Modern Art in Rio de Janeiro; to name just a few of the public collections that boast his works.
In 1961 José Gómez-Sicre invited him to have a one-man show at the Pan American Union Gallery in Washington D.C organized by the Organization of American States.
He was close friends with a celebrated Bolivian sculptor Marina Núñez del Prado who wrote about him in her book "Eternidad en Los Andes".
He is recognized as one of the historical "generation of 52" by The National Art Museum (MNA).
In 1961 he was invited to have a one-man show at the Pan American Union in Washington, D.C.; that same year he represented the Pan American Union at the Biennial of São Paulo.
In 1962, he won a grant to study graphic Arts at the Pratt Institute of New York.
In 1962, he won a grant to study graphic Arts at the Pratt Institute of New York.
In 1962, he won a grant to study graphic Arts at the Pratt Institute of New York.
In 1963, the Institute of Spanish Culture in Madrid invited him to participate in the exhibition of "Art of America and Spain ;" that same year he was awarded a fellowship by the Guggenheim Foundation for the period of 1963–1964.
In 1964, he was invited to participate at the II American Biennale of Cordoba, Argentina, where he won 3rd prize.
Between 1974 -1976 he worked for ABC TV American Broadcasting CO., 1257 54St.
In 1977 participated at II Biennale of Bolivia INBO, where he won grand prize.
His many prizes include the Grand Prize at the II Biennale INBO in La Paz in 1977".
In 1980 he was invited to the II Biennale Iberoamericana of Art in Mexico where he had a show.
At the age eight Alfredo saw his brother Hugo Silva's art who was studying in the local school of fine art and with a competitive spirit was motivated to do better.
During this period he drew pencil sketches of still life and landscapes.
Later in 1981 his abstract work is recognized by Teresa Gisbert (Director of the institute of Bolivian Studies at the University of San Andres in La Paz, Bolivia), she described his work as "Outstanding for his treatment of surface qualities and his abstractionism".
On Sunday, January 26, 2020, Da Silva was struck and killed by a vehicle while crossing the street near his home in Alexandria, Virginia.