Age, Biography and Wiki

Alfred Uhl was born on 5 June, 1909 in Vienna, Austria, is an Austrian composer, violist, music teacher and conductor. Discover Alfred Uhl's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 83 years old?

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Occupation Composer, violist, music teacher and conductor.
Age 83 years old
Zodiac Sign Gemini
Born 5 June, 1909
Birthday 5 June
Birthplace Vienna, Austria
Date of death 8 June, 1992
Died Place N/A
Nationality Austria

We recommend you to check the complete list of Famous People born on 5 June. He is a member of famous Composer with the age 83 years old group.

Alfred Uhl Height, Weight & Measurements

At 83 years old, Alfred Uhl height not available right now. We will update Alfred Uhl's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Alfred Uhl Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Alfred Uhl worth at the age of 83 years old? Alfred Uhl’s income source is mostly from being a successful Composer. He is from Austria. We have estimated Alfred Uhl's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income Composer

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Timeline

1909

Alfred Uhl (5 June 1909 – 8 June 1992) was an Austrian composer, violist, music teacher and conductor.

1932

Uhl was born in Vienna and studied with Franz Schmidt at the Vienna Music Academy, receiving a diploma in composition with honours in 1932.

He subsequently worked as Kapellmeister of the Swiss Festspielmusik in Zürich.

While there he composed scores for a variety of cultural and industrial films.

1938

He returned to Vienna in 1938 and in 1940 was drafted into the Austrian Army.

1940

From 1940 to 1942 he commanded a French prison camp in Neumarkt.

Two volumes of 24 studies each, first published in 1940 by Schott Music, were designed to familiarise the advancing clarinettist with some of the more difficult possibilities being written in modern instrumental music.

This is stated by Uhl himself in a foreword to some, but not all editions.

As such, they occasionally include intervals which require sliding over keys on the French system of clarinet, a technique that is generally frowned upon unless, as in these cases, it cannot be avoided.

The studies are characterized by their extensive use of neo-romantic chromaticism and rhythmic complexity.

Occasionally viewed as less musical and more technical than most studies, some clarinetists consider it a second goal to bring out the musicality of each piece, which may be hidden behind technical complexities.

Uhl was assisted by Leopold Wlach of the Vienna Philharmonic Orchestra, who made suggestions and revisions throughout the writing process.

1942

Written in 1942 for clarinettists from the Vienna Philharmonic, it is a demanding three-movement work structured similarly to a conventional concerto.

1943

He was the recipient of the Vienna Schubert Prize (1943), the Austrian State Prize (1960), the Vienna Music Prize (1961), the Viennese Gold Medal of Honour (1969) and the Austrian Badge of Honour for Service and Arts (1980).

1945

He joined the faculty of the Vienna Music Academy in 1945, where he taught theory, orchestration and composition until his retirement in 1980.

One of his notable students was Alfred Prinz.

1970

He also served as the president of the Austrian Gesellschaft der Autoren, Komponisten und Musikverleger (1970) and the Künstler-Union (1976).

As a composer, Uhl synthesized elements from neo-classicism, atonality, serialism and traditional tonal and contrapuntal idioms.

His vibrant style combined technical sophistication and musical charm with wit and humour, rhythmic inventiveness, thematic development and advanced harmonic language.

He wrote eight film scores, one opera, several choral works, and multiple symphonic and chamber music pieces.

He wrote extensively for the clarinet, including educational material and works that are still common repertoire.

His most famous educational pieces are the two volumes which comprise 48 Studies.

His Divertimento for Three Clarinets and Bass Clarinet is one of the most performed works for the medium.