Age, Biography and Wiki

Albert Dumouchel was born on 15 April, 1916 in Valleyfield, Quebec, Canada, is a Canadian printmaker (1916-1971). Discover Albert Dumouchel's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 55 years old?

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Occupation printmaker, painter and teacher
Age 55 years old
Zodiac Sign Aries
Born 15 April, 1916
Birthday 15 April
Birthplace Valleyfield, Quebec, Canada
Date of death 1971
Died Place St-Antoine-sur-le-Richelieu, Quebec
Nationality Canada

We recommend you to check the complete list of Famous People born on 15 April. He is a member of famous painter with the age 55 years old group.

Albert Dumouchel Height, Weight & Measurements

At 55 years old, Albert Dumouchel height not available right now. We will update Albert Dumouchel's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Who Is Albert Dumouchel's Wife?

His wife is Suzanne Beaudoin

Family
Parents Not Available
Wife Suzanne Beaudoin
Sibling Not Available
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Albert Dumouchel Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Albert Dumouchel worth at the age of 55 years old? Albert Dumouchel’s income source is mostly from being a successful painter. He is from Canada. We have estimated Albert Dumouchel's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income painter

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Timeline

1916

Albert Dumouchel (April 15, 1916 – January 11, 1971) was a Canadian printmaker, painter and teacher.

A multi-talented individual, Dumouchel also was a photographer and gifted musician.

His work as an artist ranged from abstract to figurative.

Albert Dumouchel was born into a family of tradesmen at Bellerive, a working-class parish in the municipality of Valleyfield, Quebec.

He was educated at the Séminaire Saint Thomas D'Aquin de Valleyfield, known today as the Collège de Valleyfield.

From the age of 8, he studied music.

1936

From 1936 to 1949, he taught art classes at the Séminaire de Valleyfield.

1940

In 1940, he became a textile designer at Montreal Cottons in Valleyfield.

1942

He also taught drawing, art history, publicity and photography at the Montréal's Institute des arts graphiqus (now École des arts graphiques) which had just been founded in Montreal, Quebec, Canada (known today as Collège Ahuntsic) (1942-1960).

1944

He studied engraving in Montreal, etching and lithography in Paris, sculpture in Valleyfield, and with Alfred Pellan (1944-1945).

1945

In Montréal in 1945, he participated in the Exquisite corpse (Cadavre exquis) experiments with Léon Bellefleur, Jean Benôit, Jean Léonard, Mimi Parent and Alfred Pellan.

1947

Between 1947 and 1951, he published the series "Les Ateliers d'arts graphiques", the review of Montréal's École des arts graphiques.

He participated in the activities of the Montreal surrealists.

1948

In 1948, he signed the manifesto Prisme d'yeux, which defended diverse approaches to art-making, and later made contributions to the first publications of Roland Giguere's Éditions Erta.

1949

Between 1949 and 1954, his lithographs illustrated Giguère's Faire naître (1949), Les Nuits abat-jour (1950) and Les Armes blanches.

1953

In March 1953, during an exhibition of paintings and drawings at the University of British Columbia, some sixty compositions on slides were exhibited.

1954

Giguère interested Dumouchel in the Cobra movement, and his work appeared in the Revue internationale de l'art expérimental - Cobra (1954), and in Phases de l'art contemporain(1955), the review published by poet and surrealist critic Édouard Jaguer.

1955

He exhibited his work at the Canadian Biennial from its beginning in 1955.

He was one of 30 members of The Non-Figurative Artists Association of Montreal.

He also took part in important exhibitions world wide.

In 1955, Dumouchel was awarded an 18-month UNESCO scholarship to study in Europe, where he pursued his research and work on printmaking.

1960

He set up an engraving workshop at the École des Beaux-Arts in Montreal, and was the head of the graphics division (1960-1969).

His art teaching influenced, even inspired, many artists.

The graphics department at the École des Beaux Arts in Montreal has been called the "best graphics training ground in the country".

In 1960, his work and that of Edmund Alleyn, Graham Coughtry, Jean-Paul Lemieux, and Frances Loring, represented Canada at the Venice Biennale.

1964

In 1964, he was awarded membership in the Florentine Academy of Fine Arts and three years later, the Academy awarded him its centenary medal for services rendered to Canada.

His work is represented in such major public collections as the National Gallery of Canada, the Art Gallery of Ontario, the Musée National des Beaux-Arts du Québec, the Montreal Museum of Fine Arts, and the Victoria and Albert Museum, London, England.

1967

In 1967, he left his apartment/workshop in Montreal and went to live at St-Antoine-sur-le-Richelieu where he died in 1971, during a convalescence following a surgical operation for goitre.

In 2022-2023, the Montreal Museum of Fine Arts showed a retrospective of close to 35 of his prints, drawn largely from its own collections, titled Revelations: Prints by Albert Dumouchel from the Collection of the MMFA.

1974

The Montréal Musée d'art contemporain held an exhibition of his engravings in 1974.