Age, Biography and Wiki
Afro Basaldella was born on 4 March, 1912 in Udine, Italy, is an Italian painter (1912–1976). Discover Afro Basaldella's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?
Popular As |
N/A |
Occupation |
Painter and educator |
Age |
64 years old |
Zodiac Sign |
Pisces |
Born |
4 March, 1912 |
Birthday |
4 March |
Birthplace |
Udine, Italy |
Date of death |
24 July, 1976 |
Died Place |
Zurich, Switzerland |
Nationality |
Italy
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We recommend you to check the complete list of Famous People born on 4 March.
He is a member of famous painter with the age 64 years old group.
Afro Basaldella Height, Weight & Measurements
At 64 years old, Afro Basaldella height not available right now. We will update Afro Basaldella's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Afro Basaldella Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Afro Basaldella worth at the age of 64 years old? Afro Basaldella’s income source is mostly from being a successful painter. He is from Italy. We have estimated Afro Basaldella's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Afro Basaldella Social Network
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Timeline
Afro Libio Basaldella (March 4, 1912 – July 24, 1976) was an Italian painter and educator in the post-World War II period.
He began as a member of the Scuola Romana, and worked together with Alberto Burri and Lucio Fontana.
He was generally known by the single name, "Afro".
Born on March 4, 1912, in Udine, Italy.
Afro first showed his work when he was sixteen, alongside the paintings of his artist brothers, Dino and Mirko.
Two years later he and Dino won a scholarship to study art in Rome, under a stipend from the Marangoni Arts Foundation in Udine.
By the late 1930s, Afro's painting began a migration from a crisp realist style to increasingly cubist, expressionistic, and abstract painting.
After the war, his paintings, retain figurative titles, but reflect increasing neo-cubist patches, influenced by his exposure to Arshile Gorky in New York.
By 1933 he was exhibiting, along with fellow Friulians Bosisio, Pittino e Taiuti, at the Galleria del Milione in Milan.
In 1935 he participated in the Rome Quadriennale art exhibition, and he showed his work several times at the Venice Biennale.
Afro followed the School of Rome, creating murals.
In 1936, he received a commission to paint for the Udine opera house.
In 1937, collaborating with Corrado Cagli, he worked on large murals for the World Exhibition held in Paris.
Afro's first personal exhibition was held in 1937 at the Galleria del Cometa in Rome.
He traveled to the island of Rhodes to paint frescoes for the Hôtel des Roses.
In 1941, he was awarded a lectureship for mosaic painting at the Venetian Academy of Fine Arts.
In 1950, he travelled to New York City, and began a twenty-year collaboration with the Catherine Viviano Gallery.
Through Viviano, Afro met the collector Stanley Seeger and American artist Joseph Glasco who later let him stay in his Taos home.
By the mid-1950s Afro's art was obtaining worldwide reputation, and he received the honor of Best Italian Artist at the 1956 Venice Biennale.
Dore Ashton wrote about Afro in 1955 in Art Digest: “Like most Italians, Afro knows how to celebrate.
The fanciful, ebullient side of his nature emerges in the high-keyed recent paintings—those in which he allowed himself the most freedom and spontaneity to date.
In these, he celebrates the delights of senses”.
Afro was shown in an exhibition called The New Decade: 22 European Painters and Sculptors, which toured the United States.
His work was included at documenta 1 in Kassel, Germany.
In 1957, he was recruited by Leon Kirchner to teach for eight months at Mills College in Oakland, California.
While artist-in-residence at the school he made a mural for the UNESCO headquarters in Paris and was included amongst works by Appel, Arp, Calder, Matta, Miró, Picasso and Tamayo.
It was titled The Garden of Hope, a large scale minimalist painting in many shades of brown.
Afro continued to show his work internationally.
He was invited to the second documenta, and held exhibitions at MIT and numerous European museums.
He won first prize at the Carnegie Triennial in Pittsburgh and the Italian prize at the Solomon R. Guggenheim Museum in New York.
The Guggenheim bought his 1957 painting Night Flight.
In 1961, Guggenheim curator James Johnson Sweeney published a monograph on his work, where he wrote: “His color is sensuous, warm—never cold; fluid, not structural; free-edged, never sharply contoured.
Light and color, shadow and shape achieve a suggested space effect through their ordering and flood it with the glories of his great predecessors: this festive spirit, this celebration of light and life—of life through light”.
In 1965, he taught at New College of Florida in Sarasota, Florida in the new art department.
In 1968, he was appointed professor at the Accademia di Belle Arti in Florence; he had to leave the post in 1971 for health reasons.
Afro died on 24 July 1976 in Zürich.
In 1978 the Galleria Nazionale d'Arte Moderna in Rome paid him homage in the form of a major retrospective.
In 1992 a complete exhibition was held in Milan at Palazzo Reale.
The Catalogue Raisonné of Afro was presented in November 1997 at the American Academy in Rome and in 1998 at the Guggenheim Foundation in Venice.