Age, Biography and Wiki
Adelita Husni-Bey was born on 15 May, 1985 in Milan, Italy, is an Adelita Husni Bey is Italian Libyan visual artist Italian Libyan visual artist. Discover Adelita Husni-Bey's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 38 years old?
| Popular As |
Adelita Husni-Bey |
| Occupation |
Artist |
| Age |
38 years old |
| Zodiac Sign |
Taurus |
| Born |
15 May, 1985 |
| Birthday |
15 May |
| Birthplace |
Milan, Italy |
| Nationality |
Ytaly
|
We recommend you to check the complete list of Famous People born on 15 May.
She is a member of famous Artist with the age 38 years old group.
Adelita Husni-Bey Height, Weight & Measurements
At 38 years old, Adelita Husni-Bey height not available right now. We will update Adelita Husni-Bey's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Adelita Husni-Bey Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Adelita Husni-Bey worth at the age of 38 years old? Adelita Husni-Bey’s income source is mostly from being a successful Artist. She is from Ytaly. We have estimated Adelita Husni-Bey's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Artist |
Adelita Husni-Bey Social Network
Timeline
Adelita Husni-Bey (born 1985) is an Italian-Libyan visual artist.
She made the film Postcards from the Desert Island (2011).
She was awarded the 2023 Black Mountain College prize.
The work White Paper (2014 - ongoing) consists of an ongoing research into the relationship between the notion of property, legislation, and the right to housing under capitalism.
It focuses on three countries: Egypt, The Netherlands and Spain.
The first chapter White Paper: The Land (2014) was presented in Cairo at Beirut (art space).
It consists of a video-installation focused on the land rights of people affected by the mega-urban development Cairo 2050, a government-backed and privately funded metropolitan development plan of massive proportions, which threatens the livelihood of many informal settlements such as the neighbourhood of Gezirat al-Qursaya and Ramlet Boulaq.
The second chapter White Paper: The Law (2015) was supported by Casco (Utrecht) and it resulted in a legal document, the Convention on the Use of Space.
The document was written through a series of public drafting meetings across the Netherlands in collaboration with squatters, lawyers, housing rights activists, tenants associations and the general public.
For the last chapter of the project White Paper: The Imaginery (2016) the Convention travelled to Spain, to Móstoles neighbourhood in Madrid and it was hosted by CA2M.
The project was carried on in various independent spaces and squatted social centres, where a number of public meetings were held to draw up the Spanish version of the text.
The project is documented by a book, White Paper On Land, law And The Imaginary edited by Antonia Alampi, Binna Choi, Jens Maier-Rothe, Pablo Martínez.
She was chosen to represent Italy at the 2017 Venice Biennale.
Husni-Bey's work is rooted in anarcho-collectivist practices.
It is often the result of long form collaborations and educational workshops, which result in video or photographs documenting the process.
The subject matter focuses on systemic problems and the role of the law.
The Reading / La Seduta, was presented at the Italian Pavilion, curated by Cecilia Alemani, at the 2017 Venice Biennale.
Husni-Bey was also a 2020-2022 fellow at the Vera List Center for Art and Politics.
Her work is in the collections of MoMA and the Whitney Museum.
