Aaron Jay Kernis

Aaron Jay Kernis (born January 15, 1960) is a Pulitzer Prize- and Grammy Award-winning American composer serving as a member of the Yale School of Music faculty.

Kernis spent 15 years as the music advisor to the Minnesota Orchestra and as director of the Minnesota Orchestra's Composers' Institute, and is currently the workshop director of the Nashville Symphony Composer Lab.

He has received numerous awards and honors throughout his thirty-five year career.

He lives in New York City with his wife, pianist Evelyne Luest, and their two children.

Aaron Jay Kernis was born in Philadelphia, and grew up in neighboring Bensalem Township, Pennsylvania.

He began his musical career by playing the violin and piano.

His composition career began at age 13, and he was awarded three BMI Foundation Student Composers Awards throughout his time as a student.

He studied composition with John Adams at the San Francisco Conservatory; Charles Wuorinen at the Manhattan School of Music; and Morton Subotnick, Bernard Rands, and Jacob Druckman at Yale University.

His wide range of teachers and time spent on both the east and west coasts helps to define his eclectic musical style that blends minimalism with post-Romanticism.

Aaron Kernis found immediate success as a composer when his work Dream of the Morning Sky was premiered in 1983 by the New York Philharmonic with Zubin Mehta conducting.

He was only 23 years old at the time, but won unanimous praise for an incident that took place.

In an open rehearsal, in front of an audience, Zubin Mehta stopped the orchestra to complain loudly about the vagueness of the score.

Rather than being cowed by the strong-willed conductor, Aaron Jay Kernis simply replied, "Just read what's there."

The audience applauded young Kernis for sticking up for his work, and within weeks the story received national attention.

Kernis has written more than 30 works for orchestra including concertos for cello, english horn, violin, viola, flute, horn, and toy piano.

His key orchestral works include Musica Celestis, New Era Dance, Lament and Prayer, Newly Drawn Sky, and Colored Field.

Although Kernis is known best for orchestral works, he has also written more than 30 works for chamber ensemble, 22 works for [chorus], and 14 solo [keyboard] compositions.

Air and Musica Instrumentalis stand out among his finest non-orchestral works.

His music is published exclusively through G. Schirmer, New York.

A complete works list may be found here.

Kernis's style has been described as having neo-romantic intensity with exuberant imagination.

His thematic material tends to keep audiences engaged while his sound palette offers them an innovative approach to orchestration.

There have been many comparisons drawn to Leonard Bernstein, Gustav Mahler, and Igor Stravinsky due to their rhythmic drive and timbral exploration.

His eclectic influences range from Claude Debussy to modern hip-hop music.

Kernis claims that his works have been influenced by nineteenth century music, minimalism, and impressionism.

He has said numerous times that he feels more comfortable writing beautiful music as opposed to atonal works.

100 Greatest Dance Hits features a wide range of musical styles from rock to salsa.

New York Philharmonic cellist Carter Brey says that Kernis is "not afraid to take chances and that there is a lot of passion in his writing".

Music critic Benjamin Ivry feels that Kernis's success comes from a varied, ambitious style that is enjoyable to listen to.

He characterizes him as an imaginative composer who is capable of achieving any emotion.

Kernis often starts his works with a visual image or concrete idea.

In 1984, he won the Rome Prize that enabled him to study in Europe.

Lament and Prayer for Orchestra (1996) was written to commemorate the fiftieth anniversary of the Holocaust and Second Symphony (1991) was written in response to the Gulf War.

Kernis received an exclusive five-year recording contract with Argo Records in 1996.

His Concerto for Violin and Guitar (1997) has a jazz-like setting with Mahler-influenced lyricism.

His Pulitzer-winning Musica Instrumentalis is based on the last movement of String Quartet No. 9 (Beethoven), which explains the sonata form and fugal writing of the work.

Kernis often finds a way to blend his trademark creativity with the visual image or idea in order to create a piece that the audience can connect with emotionally.

His goal for each of his compositions is to write music that moves the listener emotionally while maintaining innovation and his individual identity.

Aaron Jay Kernis has been honored by ASCAP, BMI, the National Endowment for the Arts, the Guggenheim Foundation, and the New York Foundation of Arts.

In 1998, he won the annual Pulitzer Prize for Music, which recognized his String Quartet No. 2 (musica instrumentalis).